{"id":388,"date":"2015-11-08T20:09:56","date_gmt":"2015-11-08T19:09:56","guid":{"rendered":"https:\/\/sylviepainchaud.com\/?page_id=388"},"modified":"2026-05-11T14:02:23","modified_gmt":"2026-05-11T19:02:23","slug":"curriculum-vitae","status":"publish","type":"page","link":"https:\/\/sylviepainchaud.com\/?page_id=388","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"\n<p class=\"has-very-dark-gray-color has-text-color has-normal-font-size\" style=\"font-size:16px\"><strong>FORMATION<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li><strong>2001-2003<\/strong> Programme court de 2e cycle en Art-Th\u00e9rapie,<br>Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue.<br><br><\/li>\n\n\n\n<li><strong>1990-1993 <\/strong>Ma\u00eetrise en Arts Plastiques,<br>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al.<br><br><\/li>\n\n\n\n<li><strong>1983-1989<\/strong> Baccalaur\u00e9at en Arts Plastiques,<br>Universit\u00e9 Concordia, Montr\u00e9al.<br><\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>STAGES ET R\u00c9SIDENCES<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li><strong>2023 <\/strong>&#8211; <strong>2026 <\/strong>R\u00e9sidence Studio \u00c9ph\u00e9m\u00e8re, Place Longueuil,&nbsp; Conseil des arts de Longueuil<\/li>\n\n\n\n<li><strong>2023&nbsp;&nbsp;<\/strong>R\u00e9sidence Agr\u00e9gat, Longueuil, \u00e9t\u00e9 2023, Station M\u00e9tro Longueuil-Universit\u00e9-de-Sherbrooke, Centre d&rsquo;artiste Agr\u00e9gat.<\/li>\n\n\n\n<li><strong>2022&nbsp;&nbsp;<\/strong>R\u00e9sidence D\u2019Arts et de R\u00eaves, Sutton, \u00e9t\u00e9 2022.<\/li>\n\n\n\n<li><strong>2019- 2021&nbsp;&nbsp;&nbsp;<\/strong>R\u00e9sidence de cr\u00e9ation, Studio \u00e9ph\u00e9m\u00e8re m\u00e9tro Longueuil, Conseil des&nbsp;arts de Longueuil.<\/li>\n\n\n\n<li><strong>2010<\/strong> Stage d\u2019illustration (livre d\u2019artiste) \u00e0 Perc\u00e9 avec Lino,<br>\u00c9cole internationale d\u2019\u00e9t\u00e9 de Perc\u00e9, Universit\u00e9 Laval.<\/li>\n\n\n\n<li><strong>1991<\/strong> Stage \u00e0 Boissano, Italie, <br>UQ\u00c0M avec Pierre Ayot.<br><\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>EXPOSITIONS INDIVIDUELLES<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li><strong>2025 <\/strong>Disparition Expo-Installation <br>Studio \u00c9ph\u00e9m\u00e8re Place Longueuil,<br>Conseil des arts de Longueuil <br><\/li>\n\n\n\n<li><strong>2021 <\/strong>Ce qu&rsquo;il reste, Expo-Installation, <br>Studio \u00c9ph\u00e9m\u00e8re 101, Station M\u00e9tro Longueuil-Universit\u00e9-de-Sherbrooke<br>Commissaire : \u00c9lisabeth Recurt<br><\/li>\n\n\n\n<li><strong>2016<\/strong> Palimpseste,<br>Exposition Senth\u00e9 Montr\u00e9al<br><\/li>\n\n\n\n<li><strong>1993<\/strong> La d\u00e9rive du souvenir ou Traces mn\u00e9moniques : installation, <br>\u00c9difice Belgo, espace 400 Montr\u00e9al<br><\/li>\n\n\n\n<li><strong>1991<\/strong> Sylvie Painchaud, abstraction lyrique,<br>Galerie d\u2019art du Centre culturel, Drummondville,<br><\/li>\n\n\n\n<li><strong>1988 <\/strong>Terre de Feu,<br>Galeries Alliance, Montr\u00e9al, QC.<br><\/li>\n\n\n\n<li><strong>1987<\/strong> Du Sud au Nord, <br>Centre d&rsquo;Art Diffusion III. Montr\u00e9al<br><\/li>\n\n\n\n<li><strong>1986 <\/strong>Solitude, <br>Centre Culturel Am\u00e9ricain,<br>Parrain\u00e9 par le Haut-Commissariat du Canada au Za\u00efre. Bujumbura, Burundi<br><\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>EXPOSITIONS COLLECTIVES<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<ul class=\"wp-block-list is-style-default\">\n<li>2024 \u00c0 L&rsquo;ombre des palmiers, exposition de fin de r\u00e9sidence d\u2019Agr\u00e9gat<strong>&nbsp;<\/strong><\/li>\n\n\n\n<li>2022 Zocalo, Longueuil, 100% Original<\/li>\n\n\n\n<li>2021 Zocalo, Longueuil, 100% Original<\/li>\n\n\n\n<li>2021 Je(U)S Laboratoire ART PUBLIC M\u00e9tro Longueuil<br>L\u2019art au coeur du territoire et des communaut\u00e9s<br>Identit\u00e9 et Territoire, Installation et Performances <\/li>\n\n\n\n<li>2020 Zocalo, Longueuil, 100% Original<\/li>\n\n\n\n<li>2019 Zocalo, Longueuil, 100% Original<\/li>\n\n\n\n<li>2018 Zocalo : 25 ann\u00e9es de cr\u00e9ation, Biblioth\u00e8ques Ville de Longueuil<\/li>\n\n\n\n<li>2018 Zocalo ! C\u2019est \u00e0 ton tour de te parler d\u2019amour, projet d\u2019Art postal Biblioth\u00e8que Georges-Dor<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2017 Parle-moi d\u2019amour, Centre Wellington de Verdun<\/li>\n\n\n\n<li>2016 100% original, Zocalo, Longueuil<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2015 100% original, Zocalo, Longueuil<\/li>\n\n\n\n<li>2014 100% original, Zocalo, Longueuil\/<\/li>\n\n\n\n<li>2013 100% original, Zocalo, Longueuil<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2013 Place publique, volet 3,La travers\u00e9e, Longueuil<\/li>\n\n\n\n<li>2013 Bo\u00eete de Pandore, Atelier de l\u2019\u00cele, Val David<\/li>\n\n\n\n<li>2012 Bo\u00eete de Pandore, Centre culturel Jacques Ferron, Longueuil<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2012 Expo Petits formats de No\u00ebl, Zocalo, Longueuil<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2009 Les petits formats de No\u00ebl, Espace Ars Longa, Montr\u00e9al<\/li>\n\n\n\n<li>2009 Correspond\u2019art Zocalo, Zocalo, Longueuil<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2004 Des faces \u00e0 tout casser, Maison des arts et de la culture de Bromptom<\/li>\n\n\n\n<li>1991 Emprunts et citations autour de Suzanne livre d&rsquo;artiste collectif avec Pierre Ayott Galerie UQAM<\/li>\n\n\n\n<li>1990 Les Arts Visuels \u00e0 Drummondville 1970-1990, Galerie d\u2019art Culturel de Drummondville<\/li>\n\n\n\n<li>1988 Vo\u00fbtes II, Passage et V\u00e9tust\u00e9, Galerie \u00c9clart, (CAPQ) Montr\u00e9al<\/li>\n\n\n\n<li>1988 Exposition Informelle, Centre d&rsquo;Art Diffusion III Montr\u00e9al<\/li>\n\n\n\n<li>1987 Exposition R\u00e9trospective 87, Centre d&rsquo;Art Diffusion III Montr\u00e9al<\/li>\n\n\n\n<li>1987 Exposition Mouvement Moment Mati\u00e8re, Galerie \u00c9clart, (CAPQ) Montr\u00e9al<\/li>\n\n\n\n<li>1987 Revue Num\u00e9ro Vide et Vagues, Galerie de l&rsquo;Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>COLLECTION DE MUS\u00c9E ou CORPORATIVE<\/strong> <\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>Archives du Mus\u00e9e&nbsp;national&nbsp;des&nbsp;beaux\u2011arts&nbsp;du&nbsp;Qu\u00e9bec<\/li>\n\n\n\n<li>Industrielle-Alliance Cie d&rsquo;assurance<\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>BOURSES<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2019-2021 Conseil des arts de Longueuil,  r\u00e9sidence au Studio \u00c9ph\u00e9m\u00e8re<\/li>\n\n\n\n<li>2017 Minist\u00e8re de la Culture et des Communications et Ville de Longueuil, M\u00e9diation Culturel-Sant\u00e9 automne<\/li>\n\n\n\n<li>1990 R\u00e9sidence Vert-St-Denis, France, Cr\u00e9ation et diffusion<\/li>\n\n\n\n<li>1989 Minist\u00e8re des Affaires Culturelles du Qu\u00e9bec, Bourse de ressourcement, Volet Ressources Techniques<\/li>\n\n\n\n<li>1986 Bourse d&rsquo;appui \u00e0 une exposition, Minist\u00e8re des Affaires Ext\u00e9rieures du Canada, Haut-Commissariat du Canada au Za\u00efre<\/li>\n<\/ul>\n\n\n\n<p><strong>PERFECTIONNEMENT<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2022 Perfectionnement individuel \u2013 Culture Mont\u00e9r\u00e9gie&nbsp;<\/strong><\/li>\n\n\n\n<li><strong>2022 Installation vid\u00e9o\/atelier,&nbsp;<\/strong> GIV (Groupe d\u2019intervention vid\u00e9o)&nbsp;<\/li>\n\n\n\n<li><strong>2021 Groupe de travail et de discussion sur la pratique avec Caroline Boileau<\/strong>, L\u2019Imprimerie, centre d\u2019artiste, Montr\u00e9al&nbsp;<\/li>\n\n\n\n<li><strong>2020 Introduction \u00e0 la photographie d\u2019oeuvres d\u2019art <\/strong>avec Alain Lefort, RAAV&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>ASSOCIATION<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>Agr\u00e9gat<\/li>\n\n\n\n<li>R\u00e9seau des artistes en arts visuels &#8211; RAAV<\/li>\n\n\n\n<li>Zocalo, Centre d\u2019artistes en arts imprim\u00e9s<\/li>\n<\/ul>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>M\u00c9DIATION CULTURELLE ET ENSEIGNEMENT<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list is-style-default\">\n<li>2023-2024 M\u00e9diation culturelle L\u2019Art du masque,<strong> <\/strong>avec Alternative Centregens et le minist\u00e8re de la Culture et des Communications&nbsp;<\/li>\n\n\n\n<li>2020- 2023 M\u00e9diation, culturelle et inclusion, Alternative Centregens et le Minist\u00e8re de la Culture et des Communications<\/li>\n\n\n\n<li>2020 <a rel=\"noreferrer noopener\" href=\"https:\/\/www.lafabriqueculturelle.tv\/capsules\/12629\/voir-toucher-creer-projet-de-mediation-culturelle\" data-type=\"URL\" target=\"_blank\">Voir, toucher, cr\u00e9er, Vid\u00e9o, La Fabrique culturelle<\/a> <\/li>\n\n\n\n<li>2018 Voir, toucher, cr\u00e9er avec des membres d\u2019Alternative Centregens et le soutien du Conseil des arts de Longueuil. <\/li>\n\n\n\n<li>2015 &#8211; 2016 L\u2019art du masque, Commission scolaire de ma Seigneurie des Mille-\u00celes<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FORMATION STAGES ET R\u00c9SIDENCES EXPOSITIONS INDIVIDUELLES EXPOSITIONS COLLECTIVES COLLECTION DE MUS\u00c9E ou CORPORATIVE BOURSES PERFECTIONNEMENT ASSOCIATION M\u00c9DIATION CULTURELLE ET ENSEIGNEMENT<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"Arial,","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-388","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/pages\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=388"}],"version-history":[{"count":50,"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/pages\/388\/revisions"}],"predecessor-version":[{"id":3190,"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=\/wp\/v2\/pages\/388\/revisions\/3190"}],"wp:attachment":[{"href":"https:\/\/sylviepainchaud.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}